A Freudian Look At The Uncanny Conveyed In The Film American Beauty

It’s all a matter of perspective–at least that’s the case in Sam Mendes’ American Beauty (1999): a visual panoply of thrilling satirical vignettes exposing the craftily concealed perversities and turmoil that lay beneath the film’s multiple manifestations of farcical representations. Mendes artfully crafts a topsy-turvy satire about the homogenizing attempts of Suburbia to sublimate individuality[…]